web analytics

London

You are currently browsing articles tagged London.

…tells a story.

 

Well – part of one, at least!

So – what might be going in this particular picture then?

(You might wish to click on the image to see it in greater detail!)

I wrote in this forum a little earlier in the year about the wonderful live-streamed performance that we had enjoyed from the Old Vic in London of the late Brian Friel’s ‘Faith Healer‘ – one of my favourite plays.

Now – The Girl and I usually treat ourselves to a visit to the theatre at around this time of year, usually to take in something of a festive nature and very much as a prelude to the Christmas season itself.

This year, of course, there is not much on offer in this line – for the obvious reasons. The splendid Old Vic has – however – re-staged for live streaming Matthew Warchus’s production of Dickens’ immortal classic – ‘A Christmas Carol‘ – as adapted by Jack Thorne. We eagerly signed up to experience the production this Monday just past.

So – to the right of the picture above you can see our TV, showing the opening scenes of ‘A Christmas Carol‘. This is streaming live from London over Zoom. It is 7:00pm in London – 11:00am in Victoria.

To the left of the picture is our Christmas tree. That in itself has a tale behind it, which may be told in another post.

Through the windows one can see that the crisp morning air is filled with something else. Snow!

It is true that we don’t get much snow in Victoria – certainly when compared to other parts of Canada – but we do occasionally get things like this – a sudden, sharp and highly unpleasant snow storm with vigorous winds.

Now – the temperature outside on Monday was not particularly cold and, as a result, this snow was very wet. It came down hard and the gusting wind blew it into thick drifts covering everything in a short space of time. The snow froze on the branches of the many pine and fir tress in the surrounding areas and – assailed by the accompanying winds – brought down many sizeable branches, not least in our own garden.

At around midday – just as ‘A Christmas Carol’ had paused for its intermission – the power went out! This of course not only deprived us of the TV but also of our Internet connection. After some frantic scrabbling about we were able to watch the second half of the show – huddled closely together – on The Girl’s cell phone. Not quite the experience we had imagined, but we still gleaned enough to be moved anew by this excellent production.

The power was out for some four hours, as crews from BC Hydro struggled to fix the trail of faults that the storm left in its wake as it crossed the peninsula. The power finally came back on at around 4:00pm and – as it was by then getting dark – we breathed a sigh of relief.

Fifteen minutes later we heard a loud ‘bang’ from somewhere down the street. A transformer had blown and we were plunged once again into darkness. It is at a such times that we are extremely glad that we had gas installed in the house when we moved in. Our fire in the drawing room kept us warm and we were able to cook our supper on our gas range – by the light of the new LED headlamps that The Girl had thoughtfully and recently provided for just such occasions.

By the time the power came back on some three hours later the impetus to seize the day had somewhat evaporated, so it was not that long before we headed for bed.

Rather more ‘excitement’ for one day than we had anticipated!

Tags: , , , ,

Last weekend we saw again one of my favourite plays – the late Brian Friel’s “Faith Healer“. Though I have read it again in the interim I have not seen it since the splendid 1992 Royal Court production in London.

Faith Healer” is a three hander but written in an unusual form – comprising as it does four long monologues, starting and ending with those of the play’s protagonist – the ‘Fantastic Francis Hardy’ (as the poster for the faith healer’s one-night performances in small towns and villages throughout Wales, Scotland and – fatally – Ireland has it).

I am not usually a big fan of the monologue (a fact that I have broadcast within these musings on more than one occasion) and particularly of the way that it forms the core of the majority of one-person shows. It seems to me in most instances to lack the dramatic power of dialogue, reducing the performance to a one-dimensional perspective. Now – there most certainly are exceptions to this generalisation, but they have to be exceptional to be so as the form itself mitigates against it.

That Friel’s masterpiece does so triumphantly only starts to become apparent some minutes into the second monologue – delivered by the faith healer’s English mistress, Grace – or is it his wife – and is she actually English after all? Even those familiar with the concept of the unreliable narrator will find it difficult to keep their feet as the play lurches from one telling of the tale to the next (the faith healer’s manager Teddy completes the trio) and even the faith healer’s own second monologue contradicts his first in vital respects.

The audience is left to try to pick the elements of truth from this tangled web of narratives – a brilliant device that renders the play instantly multi-dimensional and restores to the form one of the elements it most commonly lacks – that of subtext!

In the aforementioned 1992 Royal Court production a good friend played the part of Teddy – the which he was to repeat in the 2016 London revival to five star reviews. We were sadly unable to see the latter production – having already moved to Canada.

This latest production was live-streamed from an empty Old Vic in London as part of that wonderful institution’s response to the COVID-19 pandemic – “Old Vic: In Camera”. The theatre sold the same number of tickets (at heavily discounted prices) for Zoom streaming as the house usually seats and for “Faith Healer” there were just four live shows – which were not recorded. For us this meant watching the excellent Michael Sheen, Indira Varma and David Threlfall at 11:30 in the morning (that being 7:30 in the evening UK time) and it really did feel a little like being present at a live theatrical performance. It was – at any rate – about as close as we are going to be able to get anytime soon.

Our grateful thanks to all concerned for a wonderful and thought-provoking experience.

Tags: , , , ,

I made reference in a recent post to my (apparently) annual search for new and unfamiliar musics. I thought the gentle reader might like to be updated as to the outcome…

Well – I am actually going to reveal same regardless – so if you have no interest simply skip the rest of the post!

Having – as reported in that previous post – been unexpectedly captivated by Sarah McLachlan’s utterly bizarre rendition of “Unchained Melody” (which I find I now love unreservedly) it occurred to me that my search should probably be centred in the Pacific North-West. It further struck me that should I be able to find what I was looking for (something suitably haunting and ethereal, reasonably contemporary and probably incorporating the female voice) as close as possible to Vancouver Island, this might bode well for future fandom and potential gig-going.

In the event I spent a fair amount of time searching feverishly for just such on the InterWebNet but could not find exactly what I was looking for.

When I did finally find something that made the hairs on the back of my neck stand to attention in the desired manner it was from considerably closer to home. As they have already become quite a big deal over here you might already know of them – but in case you don’t please allow me to introduce… ‘London Grammar.

Wikipedia says of them:

London Grammar is a British electronic pop trio formed by Hannah Reid, Dan Rothman and Dominic ‘Dot’ Major. Their début EP ‘Metal & Dust’ was released in February 2013 by Metal & Dust Recordings Ltd. Their debut album ‘If You Wait’ was released on 9 September 2013 and set platinum certification by the British Phonographic Industry (BPI) association.

Both vocalist Hannah Reid and guitarist Dan Rothman are originally from London and met in a residence hall at the University of Nottingham during their first year in 2009. Rothman saw a picture of Reid on Facebook with a guitar and sent her a message to see if she wanted to “collaborate”. They were joined by Northampton native Dominic ‘Dot’ Major (keyboard, djembe, drums) a year later, after he began playing music together with Rothman.”

This is all well and good of course – but what you really want is to know what they sound like. Herewith some samples:

Hey Now: Hey Now – Sample

Strong: Strong – Sample

Flickers: Flickers – Sample

So – let me know what you think…

Tags: , ,