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Anam Danu

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Start by <a href="http://www.nyphotographic.com/">Nick Youngson</a> <a rel="license" href="https://creativecommons.org/licenses/by-sa/3.0/">CC BY-SA 3.0</a> <a href="http://pix4free.org/">Pix4free</a>If you have a dream, you can spend a lifetime studying, planning, and getting ready for it. What you should be doing is getting started.

Drew Houston

In these recent posts – ‘Adjusting the Sails‘, ‘One and One and One is Three‘ and ‘The World of Work‘ – I sought to bring the gentle reader gently up to date with how things had come to rest for The Girl and I at the culmination of a particularly – er – ‘eventful’ year (though aren’t they all nowadays!). What I have not yet done is to peep out from underneath the metaphorical duvet – to see if I can detect good news anywhere betwixt where we are now and the distant horizon of 2025.

So – this is what we know currently about what 2024 has in store for us…

In terms of travel 2023 was – for us – a complete shocker. Without incessantly ploughing the same furrow it is worth reminding ourselves that there was a point last year when we seriously thought that our travelling days were over. Not so – you will be happy to hear. We are already well advanced with the planning for another expedition for April/May this year.

Which exotic part of the globe will you be visiting?” – I hear you cry. Well – I’m sure we all have our own definitions of ‘exotic’. This is one of ours.

The Girl and I have for a considerable while now felt drawn to visit the mystical realm of Scotland. Even casual viewers of these witterings will be aware of my love for – and great pride in – the home of my ancestors (the which I inherited from my father). My family travelled many times to the highlands for holidays just as soon as we were old enough. My father was a great hill walker and he and I (and sometimes my younger brother) climbed many a peak in different parts of the land. I have regularly over the years visited both Edinburgh and Glasgow for work and – with my theatrical hat on – ventured to the Edinburgh Fringe on more occasions than I can now enumerate.

The Girl has toured parts of Scotland just once before – with a good guide and great friend – but she and I have not been there together and we feel a very strong urge so to do.

Anyway – more on that trip as it unfolds…

In ‘The World of Work‘ I wrote:

During the autumn just past The Girl reached the conclusion that her eight years at the volunteer service was enough. As it happens the service was undergoing some restructuring and she was able to do a deal whereby she would hand over the reigns to a full-time replacement, with a negotiated package that would enable her to take some time to figure out what – if anything – she wanted to do next. She is thus once again retired (for now!)“.

Following what might just be the shortest retirement ever… The Girl has just this week started an exiting new venture, about which I can currently reveal nothing at all, but concerning which I suspect a great deal will be said in the months to come. Watch – as they say – this space!

I have already dropped huge hints about creative developments in the musical department. We are firmly expecting a new album to put in an appearance at some point this year – and if we could play live somewhere to welcome it, then that would be splendid.

As ever at this time of the year there are many other exciting prospects bubbling under and – though there are also many very good reasons to feel nervous about 2024 – I like to approach the year under an umbrella of optimism. (Google assures me that – somewhat to my surprise – I am not the first to coin that particular euphemism. Oh well!).

Very best wishes to you all for 2024.

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I mentioned last month – in the second of two postings bringing the gentle reader up to speed regarding the musical progress effected by The Chanteuse and I – that we would shortly be releasing a second single this calendar year. Well – ‘shortly’ is now here and our new single can be found on all of the usual streaming and download sites. Full information, samples and links can be found on our website – but for those who would prefer to get the necessary without further ado – read on:

The second Anam Danu single of the year (following January’s release of “Perfect“) is “The Journey Home” – which was released to streaming and download sites on June 16th.

The Journey home” concerns three different types of journey; The first considers the emigrant returned home to the land of his or her birth – the second refers to the rediscovery of one’s culture – the third to that part of a life that follows the turn for home.

The finest wisdom that we can offer is that each of these journeys is best accompanied by a friend!

The track is a re-worked and extended version of the song that appeared on our first collection, “Winds of Change”. It features – for the first time on an Anam Danu recording – a musician other than The Chanteuse and I. In this case Victoria violinist Kate Rhodes does the honours on the fiddle.

Do please listen and (hopefully) enjoy!

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Following on from my ‘Matters Musical – 1‘ posting a couple of weeks back… herewith the second and concluding part.

I mentioned in the aforesaid posting that Anam Danu had been featured on no less than three compilations of independent music made available through Tom Hilton’s ‘Aldora Britain Records‘ – in addition to being featured in an article in the associated e-Zine. The Chanteuse and I were most flattered by the attention and grateful for the coverage.

We were further offered a single release on the label during April. The advantage of this would be, of course, that our name and our music would be pushed in its own right and thus be all the more visible. We happily agreed to this proposal and offered our January single – ‘Perfect‘ – paired with a re-issue of a song from our first collection (‘Winds of Change‘) entitled ‘The Journey Home‘.

Having been written and recorded back in 2019, ‘The Journey Home‘ was one of our earlier experiments in working together. As one would expect, we have made a great deal of progress since then – both technically and artistically – so we decided that we should re-work the track, lengthening it and updating sounds and instrumentation. The original recording featured a fiddle part that I had played on a halfway decent sampled instrument, but – since part of our expansion plans for this year include starting to work with other musicians – we thought that this would be a good opportunity to experiment. We were introduced by a friend to Victoria violinist, Kate Rhodes, who agreed to play the session for us and thus became the first person other than The Chanteuse and I to appear on an Anam Danu recording.

The two tracks were duly released last month and can be found on Bandcamp here. We were most excited subsequently to find that the release had entered the Aldora Britain Independent Top 20 – the which records the tracks on the ABR Bandcamp site that receive the most plays. At the time of writing we are at number 13 on that playlist.

We will also be releasing ‘The Journey Home‘ under our own auspices to all the usual streaming and download sites during June. More on that come the time.

The Chanteuse and I have also been busy working our how we can play all of this music that we have been creating for a live audience. As mentioned above, this will inevitable entail finding other like-minded individuals who are keen to play with us. Reworking the material for live performance also requires a considerable amount of work – but we are making good progress.

Thank you for listening!

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I am moved – every once in a while – to furnish the gentle readers of these digital digressions with an update on the progress that The Chanteuse and I are making on our musical odyssey. I hope that this is not too wearisome for those that have little interest in such matters.

Back at the end of January I posted herein a missive announcing the release of a new Anam Danu single – going by the soubriquet of ‘Perfect‘. The Chanteuse and I have been busy promoting this recording; with some small degree of success. The track was listed in a good number of playlists, reviewed by various digital media pundits and the release engendered the publication of several feature articles in online fanzines and the like. Should you wish to know more you can find details in the news section on our website.

Back in November we had a track from last summer’s album release – ‘Soul Making‘ – included on a compilation of independent music by a UK based e-Zine and record label – Aldora Britain Records. Tom Hilton – the Scot whose brainchild ABR is – writes thus:

Aldora Britain Records is an independent music e-zine and record label. The e-zine produces interviews with unsigned and underground artists and reviews their music. The label produces compilations of these artists. The vision of AB Records is to create a go-to place for music lovers all over the world to discover great new stuff, an online platform for independent music. It’s much needed!

Tom and ABR have been most generous to us, having now featured us on three different compilations – the most recent being titled ‘Street Corner Jive‘. ABR also produce an international independent music e-Zine at regular intervals and Anam Danu was honoured to be the subject of of a feature back in March of this year. Should you wish to discover more about us you can find the article here:

Now, in the interests of not overwhelming merely perfunctory perusers of this idiosyncratic anthology with a bombardment of minutiae – and finding that I have considerably more to say than first I anticipated…

…I am going to split this post into two installments.

Coming soon… part two!

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Perfect

In my recent ‘review of 2022‘ post I mentioned – amongst other worthy achievements – that Anam Danu (the musical vehicle created in conjunction with The Chanteuse) had had a good year – in that we released our third album, Soul Making, to general approbation and contrived to hold a rather splendid reception to celebrate the fact.

What I didn’t mention was that we shortly had a new single coming out…

Well – ‘shortly’ has morphed into ‘now’ and our newest composition – ‘Perfect‘ – hit the major streaming and download sites just today.

Reaction thus far from those who have heard the song has been exceedingly positive and I urge all music fans out there to give it a listen. If you don’t have a preferred music site please allow me to recommend Bandcamp to you. ‘Perfect‘ can be found here:

We thought we might take the opportunity to create a video to accompany the single, using nothing but freely available stock clips. Doing so proved a fascinating experience and we will certainly repeat the exercise. You can view the results here:

As ever, should you find yourself enjoying what you see and hear – please do share it…

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Ah! January…

‘Tis the time of year to reflect on the one that has just passed. Did it measure up to our hopes and expectations? Given the state of the world, did we have much in the way of hopes and expectation for it to live up to?

As ever, the best way to find out is to locate the equivalent postings from this time last year and to see exactly what – if anything much – we were hoping for…

…then we can see if any of it actually happened!

…and after that we can repeat the exercise for yet another year!

Hang on a sec while I have a shufti…

OK – here is our basic wish-list from last year – with progress reports in red:

  • To get to see family and friends – …yes we did… see below!
  • To be able to entertain again – …there was indeed some entertaining – and not all of it outdoors
  • To dine out – again – …hoorah! We can once again eat out (and on occasion, somewhat splendidly!)
  • To see some live theatre – …well, yes.. but not so much in Canada. See below:
  • To enjoy some live music – …once again – one event only – Barney Bentall’s Cariboo Express in November
  • To attend a live sporting event (preferably Rugby!) – …sadly not
  • To be able to travel… anywhere – …well – speaking of which…

In addition:

  • It is our fervent wish that we get to travel to the UK during the coming summer. Whether or not this happens will depend entirely on the course that the pandemic takes on both sides of the pond over the coming months. We are not holding our collective breaths.

…and this we duly did – emboldened by visits in the spring from good friends in the UK and from an old and most dear friend from New York. The expedition was most enjoyable, even though we did not get to see everyone that we would have liked to have seen. We got to the theatre in London and Bath – we dined splendidly and well – we finished our trip with a lovely sojourn in Paris. The downside? We came back with COVID. Oh well!

  • We will carry out some further domestic upgrades – air-conditioning to guard against future ‘heat domes’ – a new hot water system so that we can console ourselves with even longer baths when things don’t work out as we would wish.

…well – we did the air-conditioning – and just in time for a hot spell too. An excellent notion which works well. The hot water tank replacement is still on hold – but will get done…

  • Normalised work! The Girl would like to be able get back out into the wider world and to visit clients face to face again – not to mention paying a nostalgic visit to her office! I would like to teach students who can actually see my face as I do so.

…pretty well normalised as it turns out. The Girl is back doing (somewhat cautious) home visits and going into the office two days a week. Last spring I was teaching in an N95 respirator and a headset (for streaming purposes). Not much fun. By the autumn I was back to face to face teaching without a mask – even though I wore one when around the enclosed bits of campus.

  • More music! One positive over the last year is that I have been able to write more than enough new songs for the Chanteuse and I to put together another ‘album’. We are currently recording her vocals on these tracks and we are making good progress. Look for further pronouncements in the coming months.

…Last year was indeed a good year in musical terms. The Chanteuse and I finished our third album and at the end of August Anam Danu released ‘Soul Making‘. We were even able to have a lovely reception in our garden to celebrate the release and – for the first time – we played a few tracks from the album live to the assembled friends and supporters. The feedback we have had regarding the music has been overwhelmingly positive and we both have a very real sense of achievement.

So – in spite of all the many troubles in the wider world, 2022 was a good year for The Girl and I. What will we hope to accomplish in 2023?… Check back in a few posts’ time to find out.

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Troy ‘Bubba’ Cook
1969 – 2022
RIP


The Chanteuse and I were greatly saddened to hear over the weekend of the passing of Troy Cook. Troy was a creative force who was a writer, artist and musician and was born, lived and worked in Fernie, BC.

Earlier this year, in spite of his illness, Troy agreed to create the artwork for the recent Anam Danu album – ‘Soul Making‘. He most generously refused to accept any payment for his work – saying:

“I like to promote original music and this is my way of helping other musicians”.

Troy was a long standing friend of The Chanteuse’s husband – they having known each other for 37 years – and he was much loved by the whole family.

In this video clip Troy explains how his art helped him to deal with his illness.

Our sympathies and thoughts are with Troy’s family.

Rest In Peace

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Those who have been tuning in to these ‘broadcasts’ for any length of time will doubtless be familiar with certain themes that re-surface time and again with the regularity of the phases of the moon. One such is that of the writer’s (and his delightful spouse’s) state of engagement; to be specific, how busy we find ourselves at any given moment.

A quick glance through the archives shows that ‘state of busyness’ messages are posted pretty regularly and especially at two times of the year – just as August fades into September and the Fall – and then, slightly more desperately, as Christmas approaches.

This is in part, of course, due to our ongoing connections with the world of education. After the indolence of the summer months (should they indeed prove so to have been) the commencement of the new academic year and the return to a fresh term can be quite a shock. Trust me – it doesn’t get any easier the longer that one has been doing it.

So – the term has begun, I have a fresh faced group of students and I have been rushing around getting everything ready for the fray. Come Christmas-time I have no doubt that I will once again be running on fumes and anticipating complete collapse just as soon as the term has ended.

The Girl’s employ is not related to education but, for some reason, this seems to be a busy period for her as well. The end result is that we both feel somewhat weary. An element of this malaise arises from our having used up a considerable fund of energy (though delightfully so) on our our foreign travels during July and – of course – in fighting off the nasty bout of COVID that we picked in the process.

Once home again at the start of August we struggled to recharge the batteries in time for the launch of the new Anam Danu album – ‘Soul Making‘. Having been restricted by the pandemic lock-down at the time of our previous album release (‘Winter Blue and Evergreen‘) to merely raising a glass during a Zoom call we wanted to celebrate properly this time. It was decided that we should have a small reception, inviting close friends and supporters to help us with the festivities.

The Girl volunteered bravely and selflessly as prime organiser and she and the Chanteuse and I – with gratefully received assistance from old and dear friends – put together a rather splendid little shindig (if we say so ourselves). The highlight (should one discount the excellent finger food and beverages – which I certainly don’t) was a short performance of a few of the songs from the album. It was not entirely live – since we were obliged to use some backing tracks – but it was our first appearance in person in front of anyone and we were well aware of the significance thereof.

Come the end of the day, of course, we were even more exhausted than before. Ah well – doubtless we will once again get into the swing of things.

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There are really three parts to the creative process. First there is inspiration, then there is the execution, and finally there is the release.

Eddie Van Halen

It takes, it would seem, somewhere around a year and a half to create and to release what I will persist in calling an album. That, at least, is our experience in Anam Danu.

The Chanteuse and I started working on our third album – ‘Soul Making‘ (to be released this Friday, August 26th) – shortly after finishing our last offering – ‘ Winter Blue and Evergreen‘.

As I have observed before in these jottings, it seems that I am able to write and record basic tracks at the rate of about one a month – and in the case of ‘Soul Making’ I wrote half as many songs again as appear on the finished product.

Once the basic tracks are complete The Chanteuse gets to work on the vocal tracks, which can take some time to record depending on the complexity of the arrangements. We then mix the tracks and carry out any final snagging before all is ready to be sent for mastering.

In this instance the release date of the finished product would undoubtedly have been earlier had The girl and I not gone on our trip to the UK and Europe in July. We decided to wait for the end of August for the release itself so that there would be enough time on our return to mount a campaign to try to draw attention to the release in advance of the event.

Anyway – the time is finally upon us. As of Friday ‘Soul Making‘ will be available on the usual streaming and download services (including Spotify, Amazon Music, Youtube, Apple Music, iTunes and Bandcamp). The best way to locate these links is to browse to the music section of the Anam Danu website.

We hope that you enjoy our music. If you do so, please recommend it to others.

We thank you!

 

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In my last post I mused upon the categorisation of musical genres – the choice of which is an essential task that must be tackled should one be considering offering one’s musical endeavours to the wider world. Folk like to know what they are getting!

That I am considering this now is because the Chanteuse and I are in the midst of our preparations to release into the wild our third collection of songs as Anam Danu (much more on that later) and we need to be fully prepared.

With regard to musical genres Wikipedia (naturally!) carries an extensive list of categories and sub-categories, to which I shall refer as I share my thoughts on just how we could – and perhaps should – describe our offerings.

The problem with all of this categorisation is that – as it struggles to cope with an ever evolving field – it tends towards the extremes. By this I mean that the defined genres and sub-genres tend either to be really quite specific, or far too broad to be very much use. At the top level it is not too difficult – for example – to determine what is meant by ‘blues’, or ‘country’, or ‘hip hop’ – though of course as ever the exception proves the rule. ‘Pop’ – on the other hand – is such a broad ‘catch-all’ category that it gets used to label anything that doesn’t easily fit into other categories.

The same applies as soon as one ventures into the field of sub-genres: ‘operatic pop, or ‘K-pop’ are really pretty specific. ‘Alternative’ – on the other hand – basically applies to anything that doesn’t fit into any other existing category. This can, by some definitions, include all sorts of extremely well established acts that have always just been that bit different and thus stand outside the mainstream. The term ‘indie’ is sometimes used interchangeably with ‘alternative’, though other sources consider it to be quite different.

My instinct – with regard to Anam Danu – is to stick with both ‘pop’ and ‘alternative’, but I quite like also to include the term ‘adult’. Wikipedia has list of ‘adult alternative’ artists (drawn from tracks played on Adult Album Alternative radio stations) which would seem to include most of the people that I consider to be my influences.

The trouble is – as I say – this use of genres still doesn’t really describe the music, thus obliging one to try to come up with something else – a tag line, if you like – that is a bit more descriptive.

I quite like the phrase ‘cinematic pop’ – because much of our music has a sort of filmic quality – though I see that that term has been adopted by a project which describes itself as a ‘classical crossover’ (this stuff is all so difficult!)…

Perhaps we should adopt the genre ‘adult alternative’ and say that we create ‘widescreen cinematic pop’…

…or perhaps not!

Maybe the gentle reader has other (polite!) suggestions…

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