“Ever tried? Ever failed? No matter. Try again. Fail again. Fail better.”
Samuel Beckett
A handful of posts back I gently mourned the lack of a decent (IMHO!) Sunday Paper here in western Canada and breathed an authored sigh of relief at the discovery of The Atlantic magazine – by way of compensation.
As it happens I had not originally intended the subject of that missive to be my quest to find an agreeable journal here on the island, but rather an appreciation of a particular article that I had come across within the digital variant of my new favourite source of commentary.
The piece concerned is titled “The Fine Art of Failure” and is by the Canadian novelist, Stephen Marche. In fact, the article was adapted from the Marche’s slim Field Notes volume – “On Writing and Failure” (the which is also apparently subtitled – “On the Peculiar Perseverance Required to Endure the Life of a Writer”). I was so taken with the article that I Amazoned forthwith and purchased the real thing.
Marche’s premise is that it doesn’t matter how famous or well-respected one becomes as a writer – the main focus of one’s existence is exactly the same as for the complete beginner… that of being continually rejected (albeit at a somewhat elevated level). Marche writes:
“Failure is the body of a writer’s life. Success is only ever an attire. A paradox defines this business: the public only see writers in their victories but their real lives are mostly in defeat“.
Much of this slim tome is made up of the sort of anecdotes that should be taken to heart. A few pages in Marche discusses the “cruel species of irony [that] drove the working life of Herman Melville“:
“His first book was Typee: A Peep at Polynesian Life, pure crap and a significant bestseller. His final book was Billy Budd, an extreme masterpiece he couldn’t even manage to self-publish. His fate was like the sick joke of some cruel god. The better he wrote, the more he failed”.
For those dreaming of literary success Marche is clear-eyed:
“The internet loves to tell stories about famous writers facing adversity. … What I find strange is that anyone finds it strange that there’s so much rejection. The average telemarketer has to make eighteen calls before finding someone willing to talk with him or her. And that’s for s*** people might need, like a vacuum cleaner or a new smartphone. Nobody needs a manuscript”.
…or a song …or a play …or a screenplay …or a painting! Marche acknowledges that his thesis is not restricted to the literary arts. It is the same all over.
I cannot recommend this slender volume enough to anyone who harbours the creative urge. It is strangely and contrarily reassuring to all those of us who had – at some point – to choose between keeping the stacks of rejection letters or throwing them away (or indeed burning them!) and giving up the whole idea.
You know who you are!
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