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Flotsam and Jetsam

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angel-297830_1280Idling perusing the WordPress dashboard after my last post a few days ago I was struck by the (mildly) interesting fact that I had apparently posted three hundred and thirty (333) scintillating missives since I started this blog in 2012.

Pleased by the symmetry of the digits (and being slightly smugly aware that as I have been blogging now for just over three years my average is one hundred and eleven (111) posts per year) I casually fired up Google and typed the number into the search box.

Blimey!

So – Angel Numbers! What’s that all about?

I’m actually not going to write anything myself on the topic at all. As you will see should you follow my (Google) lead the InterWebNet is quite full enough already of the weird and the wonderful – and amusing as it may all be I don’t feel the need to add to the canon. Should the number 333 hold some deeper fascination for you then you can read further here and here. If the whole notion of Angel Numbers causes bells to chime in your head then you should probably get help will doubtless find what you seek online. In spades!

Some people clearly make a living from this stuff… but since I somewhat carelessly launched myself into this strange other-world I am really in no position to cavil. Oh well!

Moving on…

 

This is – of course – post number 334!

 

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Black_and_White_Stick_BrokenMy attention was drawn to one of the more light-hearted items on a recent edition of Newnight. (For Canadians and others not resident in the UK, Newsnight is a daily BBC current affairs analysis programme). The piece concerned what was purported to have been the ‘must have’ gift of the Christmas season not long passed.

This oh-so desirable object – that which apparently appeared at the top of so many yuletide wish-lists – was… (wait for it…) – a stick!

To be precise – the ‘selfie stick’!

You might at this point suspect that you detect in my tone a hint of sarcasm. You would be right so to do.

OK – I am an old fart – but I just don’t get the whole notion of the ‘selfie’. It seems to have grown out of the seemingly instatiable desire with which some are afflicted, to record the fact of their presence wherever they may be on the planet. A few decades back the advent of the lightweight digital camera provided tourists and others with the ideal means of so doing, to the immense chagrin of the rest of us who actually prefer to interact with, or gaze in contemplation upon, the exciting new places that we are visiting. Travelling to the far corners of the globe to take picture of ourselves – rather than of those distant exotic locales – seems to me beyond the absurd.

I recall one visit to the Louvre some years back that was all but ruined for me by a hoard of tourists from another part of the globe. I wished only to stand in awe, drinking in the sensuous detail of the copy of the statue of the Three Graces. I was prevented from so doing by the endless procession of snap-happy subjects eager to have recorded their very presence in front of said marble icon – but facing away from it. I gave up and left.

The selfie itself (fnar!) was, of course, made possible by two further inventions – the camera equipped mobile phone and the means to upload the output thereof to the InterWebNet. By use of these tools the self(ie)-obsessed can not only record but also publish the fact of their presence anywhere upon the planet – at any point – within seconds!

The basic question, however, remains unanswered… Why?

For those who have not yet encountered this bizarely popular object, the ‘selfie stick’ is a pretty crude tool that allows one to hold one’s mobile phone at somewhat more than arms-length whilst snapping away. Presumably the intention is to enable one to include even more gurning idiots in the resultant snap than could otherwise be captured!

What bemuses me more than anything, though, is that most of the images that one sees thus presented are – to be quite frank – pretty poor! If I wanted to display simulacra of myself upon the InterWebNet (and I don’t – I really don’t!) – I would want them to be as flattering as they could be. Heck! – I’d hire a professional portrait photographer to make sure that I looked as good as is humanly possible!

But then – as I said – I clearly don’t get it

 

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Image from OpenClipArtFirst things first…

My humble apologies to the reader who is possessed of – and insists upon using – an iImplement of any hue. Any such who endeavoured to look upon the images recently uploaded to this unassuming journal will doubtless have noticed that they have – in terms of orientation and scaling – appeared somewhat out of kilter.

That I had not myself noticed this issue before now is entirely due to the fact that when viewed through a Windows based browser all appears as it should. In any case, the site has now been fixed and should render properly on all platforms.

The problem arose – as is all too often the case these days – because the technologies involved are trying just that little bit too hard to be clever.

I fear that I am not a fan of software that tries to second-guess what I am aiming to accomplish, and even less if it thinks that it can help me to achieve same. It is extremely rare in such circumstances that I end up with that which I actually want – rather than with something that a faceless corporation thinks I should want. As a result, whenever I install a new app or item of software which is endowed with any such smart-arse automation features my first reaction is to seek out the settings menu and to disable the lot of them. Should this not be possible then it is extremely unlikely that the wretched thing will remain long in my possession.

ErrorMsg08I am reminded here of the erstwhile Microsoft Office Assistant – that built-in help system to the Office ‘Desktop Productivity Suite’ (yeuch!) that at one point took the form of an animated cartoon paper-clip (humorously named ‘Clippy’) that would pop up at inopportune moments with ‘helpful’ advice.

This anthropomorphic little gimmick annoyed people to such an extent that it was eventually and unceremoniously killed off, to the cheers of all concerned.

Clippy was also – and not surprisingly – extensively parodied… one of my particular favourite examples being that appended here.

“What the blazes” – I hear you cry – “does this have to do with the photos on your blog?”

Bear with me and I will explain…

Modern digital cameras record – alongside the images themselves – a considerable amount of information pertaining thereto. This information – known as metadata – includes such items as the camera settings, the date and time that the pictures were taken and even, on some cameras, the associated GPS co-ordinates. Much of this data is stored alongside the images themselves in a format called the EXtended Image Format – or EXIF.

One item thus recorded is the orientation of each photograph. The camera has a sensor that tells it which way up it is, and when one rotates it through 90 degrees to get a ‘portrait’ shot rather than the standard ‘landscape’ variant the camera records this.

All well and good thus far. The problems start when the image is transferred to a computer for processing. I always check images on my PC before uploading them to this blog, so that I can adjust light and colour values and do any cropping necessary. Now – much Windows based image handling software completely ignores the EXIF data and, as a result, portrait oriented images are displayed sideways. I can rotate these images manually to get them the right way up, but the fact that I have done so is not recorded by any modification of the orientation data that accompanies the image.

What happens next depends once again on the software concerned. When I upload an image to a WordPress site – such as this blog – the EXIF data goes along with it and is stored – in some form – in the WordPress database. When a picture on the blog is viewed through a browser both the image and the metadata are passed to the viewer.

Windows browsers ignore the EXIF data and render the picture as I wish it to be seen – rotated manually to the correct orientation. IOS on the other hand – on all those iThings – determines from the EXIF orientation data that the picture was originally taken at a 90 degree angle and rotates it once more, making it once again come out sideways.

There appears to be no way of instructing any of the software concerned to modify this behaviour. What makes matters worse is that things are not consistent. As software versions change so also does the the default image handling behaviour. This latest problem appears to have arisen a couple of months ago from a change in the way that WordPress handles image uploads. I can tell this because images uploaded prior to this point still render as expected, but those taken subsequently do not.

The answer that I have adopted – you will not be surprised to hear – is to do the job myself. I use a basic image editor to orient the photo the way that I want it and I now use an EXIF editor to remove the orientation field completely to prevent further manipulation. This is – frankly –  all a total pain and should not be necessary.

As ever the problem really arises because users want one thing and the software and hardware vendors want another. Both are keen on clever gadgets that make life easier, but users would like these to adhere to standards so that everything plays nicely together, whereas the hardware and software manufacturers design their fancy must-have toys so that they are sufficiently different to those from other vendors that – once suckered in – the poor shopper has no choice but to go on spending his or her hard-earned cash on their goodies alone.

We are – it would seem – very well endowed with clever developers and designers who are capable of inventing quite unbelievably smart gizmos. Sadly we are also encumbered by lousy marketing and sales functionaries who can only figure out how to generate a revenue stream therefrom by being a total pain in the arse.

Sadly it was ever thus!

 

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SoNot for the first time in my life, yesterday found me (re-)creating my very own ‘déjà vu’ experience.

There – that’s a suitably enigmatic opening!

This is – of course – just another way of reporting that the Kickass Canada Girl and I once again spent a splendid evening in the presence of Mr Peter Gabriel at the Wembley Arena. The ‘remembered event’ sensation comes about because – as I have myself been able to do once before – we saw again essentially the same show as we experienced just over a year ago.

Mr Gabriel – mayhap in the autumn of his career as a performer – prefers his tours to be spread out over a suitably relaxed time period, presumably to ensure that he – along with his increasingly – er – mature ensemble – make it through the rigours thereof intact. He has thus gotten into the habit of starting a tour around these parts – venturing forth into the world (in this case for a little over a year) – before returning to a hero’s welcome to play a few final shows back where the tour started.

Thus is was that for the second time I was able to catch the same show twice – after a gap in each case of about a year…

…and bloomin’ good he was too!

Still – rather than repeat myself (again! – (see what I did there?)) – why not re-read the equivalent post from last year…

You might just experience a similar sensation!

 

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Retuning home subsequent to my visit to the dentist a short while back I found myself having to dodge an unpleasant accumulation of traffic on the motorway (freeway), which I did by the simple expedient of taking a detour ‘cross country’. Before the Canadians amongst you get too excited about this I am referring here to making my way through the rural lanes and byways, rather than leaving the metal entirely and striking out into the sort of territory reserved for 4WD pickups!

Whilst on this pleasant ramble through rural Berkshire I happened upon a spot that I had not previous discovered – the Aldermaston Wharf on the Kennet and Avon canal. Naturally I had the Fuji x10 with me. Naturally I took a few snaps…

Photo by Andy Dawson ReidPhoto by Andy Dawson Reid

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I made reference in a recent post to my (apparently) annual search for new and unfamiliar musics. I thought the gentle reader might like to be updated as to the outcome…

Well – I am actually going to reveal same regardless – so if you have no interest simply skip the rest of the post!

Having – as reported in that previous post – been unexpectedly captivated by Sarah McLachlan’s utterly bizarre rendition of “Unchained Melody” (which I find I now love unreservedly) it occurred to me that my search should probably be centred in the Pacific North-West. It further struck me that should I be able to find what I was looking for (something suitably haunting and ethereal, reasonably contemporary and probably incorporating the female voice) as close as possible to Vancouver Island, this might bode well for future fandom and potential gig-going.

In the event I spent a fair amount of time searching feverishly for just such on the InterWebNet but could not find exactly what I was looking for.

When I did finally find something that made the hairs on the back of my neck stand to attention in the desired manner it was from considerably closer to home. As they have already become quite a big deal over here you might already know of them – but in case you don’t please allow me to introduce… ‘London Grammar.

Wikipedia says of them:

London Grammar is a British electronic pop trio formed by Hannah Reid, Dan Rothman and Dominic ‘Dot’ Major. Their début EP ‘Metal & Dust’ was released in February 2013 by Metal & Dust Recordings Ltd. Their debut album ‘If You Wait’ was released on 9 September 2013 and set platinum certification by the British Phonographic Industry (BPI) association.

Both vocalist Hannah Reid and guitarist Dan Rothman are originally from London and met in a residence hall at the University of Nottingham during their first year in 2009. Rothman saw a picture of Reid on Facebook with a guitar and sent her a message to see if she wanted to “collaborate”. They were joined by Northampton native Dominic ‘Dot’ Major (keyboard, djembe, drums) a year later, after he began playing music together with Rothman.”

This is all well and good of course – but what you really want is to know what they sound like. Herewith some samples:

Hey Now: Hey Now – Sample

Strong: Strong – Sample

Flickers: Flickers – Sample

So – let me know what you think…

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Image from PixabayWhat is it – I wonder – about the autumn that fills me with the urge to set forth on yet another quest – a search for fresh sounds and new (to me, anyway) music?

I am aware that I have done something similar for the past couple of years – which makes me wonder if this signals an emergent pattern. On each of those previous occasions I felt moved to announce the results of my endeavors upon this very forum. Two years ago I found The Poets of the Fall; last year – Shooglenifty.

It may well be that – as the nights draw in and the world outside my window takes on a greyish (even more greyish than usual!) hue – thoughts turn once again to matters of the soul. The creative focus shifts from the extroversion of spring and summer to the introversion of autumn and winter and the fecundity of the harvest season spills over into my own projects. I have once again taken a few days off over this half term – not only to scour the InterWebNet for inspiration – but also to pursue some songwriting of my own.

With regard to the music of others, however, this quest was triggered – as is so often the case – by an entirely accidental encounter with a previously unknown artifact.

Whilst I can’t exactly claim to be an avid fan of Sarah McLachlan – a distinction that I bestow on very few artistes – I do much admire her voice. I also applaud her good taste in influences. She is apparently a long time fan of Peter Gabriel, as testified by her live recording of a remarkably accurate cover of “Solsbury Hill“. She has also recorded an excellent version of one of my favourite XTC songs – “Dear God” – for the 1995 tribute album “A Testimonial Dinner: The Songs of XTC”. This latter was a particularly brave choice given the subject matter, which further elevates Ms McLachan in my estimation.

It was – however – neither of the above pieces that caught my attention on this occasion.

For reasons that should perhaps be obvious – and which are only marginally embarrassing – I was perusing online a few of the copious  tourism videos that promote the fair city of Victoria. A link to one such had recently been forwarded to the Kickass Canada Girl, and the viewing thereof had so moved her – bringing on an acute attack of homesickness – that she was driven to arrange a visit to BC for the end of this November. Fascinated by this effect I investigated further.

The film that I discovered had an unusual soundtrack featuring a really quite hauntingly ethereal song. I did not immediately recognise the tremulous female voice and nor did I know the piece. It took a fair bit of research online to discover that the chanteuse was indeed Ms McLachan and that the song was a rendition of that hoary classic – “Unchained Melody“. I had not recognised it because this was an interpretation like no other – keeping the lyric but jettisoning just about everything else – including the melody itself!

Now – I have to admit that I have never really liked “Unchained Melody” – which I consider to be somewhat overrated. This version – however – I love! Judging by the vitriolic comments that others have posted online concerning Ms McLachan’s efforts I am numbered amongst only a tiny minority in so doing – but it was ever thus. I love the mood – the sounds – the emotion – the effect…

Of course – I now want more. The problem is that this version is stylistically atypical even of the rest of Ms McLachan’s oeuvre – so my search for something equally effecting must continue.

Unless – of course – you know of something…

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Fevvers

(With apologies to Angela Carter!)

Whilst whiling away some sun-filled moments on the boundary last weekend – during the penultimate cricket match of the season – I became aware that I was surrounded by the results either of some over-enthusiastic avian preening or mayhap – and on a darker note – of some nocturnal vulpine carnage.

Either way a photographic study seemed to be called for:

Photo by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson Reid

 

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…on our recent sojourn on the continent!

Photo by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson Reid

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A good photograph is knowing where to stand
Ansell Adams

I do not claim for a moment to know where to stand… but I cannot in any case resist posting some more random images from France.

This is La Rochelle – which we had not previously visited.

Photo by Andy Dawson Reid

These are random passing sights that took my fancy:

Photo by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson Reid

And this is from the Chateau de Tennessus:

image

 

I must also at this point express hearty congratulations to the English ladies who triumphed against the Canadians in the Women’s Rugby World Cup on Sunday evening last in Paris. The Canadians were not by any means disgraced, having put up a really strong performance. They will certainly feature strongly in future competitions. The Kickass Canada Girl is just about speaking to me again!

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