Way back in the early 1990s (long before, of course, I had the slightest notion of even knowing anyone from the west coast of Canada, let alone of emigrating to this blessed spot) I came across a newly published and really quite extraordinary book – in the form of what I later came to know to be an epistolary novel – by artist, illustrator and writer, Nick Bantock.
Griffin & Sabine was the first in what evolved into a set of seven books which document the extraordinary correspondence between Griffin Moss – a London-based designer of postcards – and Sabine Strohem – a mysterious woman who resides on an island in the South Pacific. This communication commences with an exotic card from the southern seas.
Griffin
It’s good to get in touch with you at last. Could I have one of your fish postcards? I think you were right – the wine glass has more impact than the cup.
Sabine
But Griffin had never met a woman named Sabine. How did she know him? How did she know his artwork? Who is she?
The novels are exclusively in the form of exquisite and exotically illustrated postcards and of letters which are tucked into their envelopes affixed to the pages.
I think I was drawn to the original book not only by the sheer beauty of its design and artwork, but also by the magical and mysterious quality of its premise. I purchased a copy shortly after its publication, appreciated its allure and then tucked it away in one of my bookcases where it has languished ever since.
What I did not know then – or indeed discover until recently – was that though Nick Bantock grew up around London and in Kent, in the late 1980s he moved to Saltspring Island, British Columbia (scarcely a stone’s throw from our home on the Saanich peninsula) where he has lived ever since. I might not have discovered this fact even now had not Mr Bantock teamed up with Michael Shamata – the Artistic Director of The Belfry Theatre here in Victoria – to adapt the series of novels for the stage. On receiving The Belfry’s programme for the year and observing upon it notice of this premiere we naturally purchased tickets forthwith for the last show of the run, two days before Christmas.
With some difficulty (in the finding) I dug my copy of the book from our library. I was intrigued to know how this highly unusual graphical novel could possibly be adapted successfully for the stage. It is a challenge that I, frankly, would not myself have dared attempt (even had I the talent so to do!). I am therefore delighted to report that The Girl and I both found the production to be magical and moving and that it somehow managed to avoid all of the most obvious pitfalls that usually befall attempts at the marriage of two such wildly different forms. Let us hope that the production now travels further.
Bravo to Mr Bantock and to all concerned – say we!
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