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Lost in the post

My apologies to regular readers – and indeed to casual ones – for the recent deafening silence from these quarters with regard to the posting of updated missives to this forum.

I wrote a couple of months back about the software update to the blog platform that I use that had the effect of making the entire online journal disappear from the face of the InterWebNet.

That missive referred to the fraught week that I spent rapidly re-engineering the site. At the point of writing I had hoped that all had now been restored and that business could continue as usual.

It became fairly quickly apparent, however, that all was not well – at least for those stalwarts who depend on the mailed ‘new-post’ digests that have long been featured on the site. WordPress was attempting to send out the new messages in the usual manner, but they were disappearing into yet another void. The best intelligence that I could muster (not to mention the largely useless hints from AI) suggested that the tightening of online procedures to try to combat spam, hacks and other exploits had – in fact – actually prevented legitimate communications from getting through.

Finding a solution not affected by such restrictions proved a difficult enough exercise, for which there continues to be precious little online (or even old-fashionably human assistance).

It is with considerable relief that I can announce that I believe that I have finally found a solution.

This posting, of course, should prove to be the proof-of (or proof-against) this conjecture.

So – fingers (etc) firmly crossed!

Dude!!

I feel that some sort of explanation is called for with regard to the enigmatic and unexplained offering that was my last posting to these pages.

Fear not – there is a perfectly good explanation – and here it be!

Tech bit coming up… skip ahead if such things send you to sleep!

I started writing ‘The Imperceptible Immigrant’ back in 2012. For those interested in such things the blog is built on WordPress and hosted by a reasonably large North American hosting company. WordPress uses mySQL as its database and much of the coding which it comprises is done in a scripting language called PHP.

Now, all of the components of this system are subject to regular updates – both to add and refine the services offered, but also for security reasons. This latter is most important to prevent undesirables breaking into the systems. The trick to applying updates is to ensure that all of the WordPress components are running on versions that co-exist happily with each other. The timing for all this can be quite difficult.

I have for a while now been receiving warnings that I should upgrade the versions of PHP on my site. I finally did so last week. Unfortunately the theme that I have been using for the site (the template that defines how it looks and feels) has been in use virtually unchanged since the site was built. This upgrade broke it – and ‘The Immigrant’ disappeared in a flurry of error messages.

I was obliged to commence an urgent and time-consuming exercise to find a more modern template and to re-engineer the site – which, in InterWebNet terms, had simply ceased to exist. Even with assistance from some helpful technical support folk it took much of the week to get everything back up and running again.

OK – tech bit over…

The upside (apart from being less likely to break in the future) is that the site now has a spiffing new look and feel. If you get a chance do check it out and let me know what you think. Please do the same – naturally – should anything not be working properly.

Thank you

 

Imperceptibly!

You may have noticed that I have a fondness for language – for its depth and richness and for the infinite variety of its textures and meanings. I love how flexible and elastic it can be and the endless tapestries that can be woven from it. I have no issue with language evolving to meet the demands of new ages, but I do despair if it becomes impoverished by reduction – particularly if such occurs simply through laziness or some form of inverse snobbery.

Clearly ‘imperceptible’ is amongst my favourite words and always makes me think of that great – if apocryphal – theatrical anecdote concerning Samuel Beckett. To cover the somewhat unlikely eventuality that there are those who have not yet heard this story I thought I would include it herein.

Beckett was famously exacting when it came to productions of his work, demanding not only that the text be delivered unadulterated but also that stage directions be followed to the letter.

In 1975 Beckett’s TV play – ‘Ghost Trio’ – was filmed for BBC television. According to the anecdote Beckett himself sat in on the filming, sitting unobtrusively in the shadows at the back of the studio.

One of the early shots in the play includes this stage direction:

Cut to close-up of whole door. Smooth grey rectangle 0.1 x 2 m. Imperceptibly ajar.’

When it came to shooting this scene the director and set designer spent some time on set, nervously discussing the exact positioning of the door and experimenting with various degrees of ‘openness’ – all the while casting anxious glances towards the back of the studio trying to guage Beckett’s reaction. Receiving no guidance from that direction they tried ever finer degrees until finally – unable to stand it any longer – the great man leapt from his seat, stormed onto the set and slammed the door shut.

The director gasped. “But it says ‘ajar’…”, he protested.

“It also”, snapped Beckett, “says ‘imperceptibly’!”.