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Vancouver Island

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Up island

Whenever we head up island to Duncan or Nanaimo – to visit friends and/or family – I take with me a camera of some variety with a mind to capturing all manner of fascinating images. As our modus operandi is normally to catch the Mill Bay ferry (thus avoiding the drive over the Malahat) we head first for a favourite spot of mine – Brentwood Bay. The result is that I usually end up with some nice photos of Brentwood Bay itself… and then nothing further!

Here are some of this last weekend’s pictures of Brentwood Bay – (double click for the full effect!)…

Photo by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson Reid

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Down in Sidney-by-the-Sea today was a somewhat blustery day. As may be deduced from a quick look at the accompanying map:

…the Saanich peninsula (on which Sidney occupies a small but growing area near the top and to the eastern side) is fairly well protected from any of the worst of the wild winter winds that might wreak havoc out in the Georgia Strait by the archipelago that comprises the Gulf Islands (Canada) to the north and the San Juan Islands (USA) to the south. As a result the seas in the Haro Strait and particularly in Bazan Bay tend to be placid and even millpond-like on balmy summer days.

There are days however – in winter – when the wind comes directly off the water and the clouds scud in from the open sea. Then – even in the early afternoon – it looks more like this:

Photo by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson ReidPhoto by Andy Dawson Reid

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Photo by Andy Dawson Reid This is, clearly (in theatrical terms at least) a busy time of the year at the southern end of Vancouver Island. The emergent springtime has germinated the fresh green shoots of a new festival season which will now run (with – admittedly – occasional pauses for us all to catch our breath) right through to the end of the summer…

…and if it is Spring Break (which it is!) then it must be time for the Spark Festival at the Belfry.

This year The Girl and I attended what can only really be described as a vocal workshop (though that doesn’t even remotely get close) which went under the title “Why We Are Here” and was led by Toronto-based company ‘Nightswimming‘. This peripatetic parade of improvised chanting and movement was not to everyone’s taste, but I quite liked the atmosphere elicited by this fair sized group of assorted souls on finding themselves in a darkened workshop backstage at the Belfry, propagating a constantly evolving and distinctly dreamlike tapestry of minimalist harmonic sequences.

Considerably more down to earth (not to mention being on a different planet in terms of quality) was Daniel MacIvor’s “Who Killed Spalding Gray?“. Daniel’s disquisition on the subject of the American monologist, who killed himself in 2004 by jumping from the Staten Island ferry in New York, was thoughtful and touching by turns and is certainly a work of a very high order. Daniel was also in town last May to deliver the keynote address at the launch of Intrepid Theatre’s ‘Uno Fest‘ and I was lucky enough (wearing my Board of Directors’ hat) to have had the opportunity to drive him back to the airport afterwards. A very interested and talented man…

The Spark Festival closed – as it usually does – with a short performance on Sunday last by the youngsters taking part in the Belfry’s 101 program. Wearing a different hat (quite a lot of millinery going on here) as an educator of young thespists I like to attend such events to steal ideas see what other talented young folk are up to. The group had spent the whole second week of Spring Break putting together this divertissement and clearly had loved working together as a group, which is – when it comes down to it – why we all do this thing in the first place.

Finally last Thursday evening to the Chemainus Theatre (my first visit) for the dress rehearsal of Colin Escott and Floyd Mutrux’s jukebox musical “Million Dollar Quartet”, which takes as its subject the legendary session at Sam Phillips’ Sun Records Studio in Memphis on December 4th, 1956 that brought together Elvis Presley, Johnny Cash, Carl Perkins and Jerry Lee Lewis.

For those that have never heard of the charming Cowichan Valley town of Chemainus a little light reading on the InterWebNet might be instructive. A short crossing (on the Mill Bay ferry) and forty minute drive up island from our neck of the woods it is a bit of a trek for a weekday evening, but we were fortunate on this occasion to have been gifted complimentary tickets by an acquaintance of The Girl’s who is a benefactor of the festival theatre there – hence our preview seats.

Now – not unlike some repertory theatres in the UK the cute and hugely successful Chemainus Theatre knows its audience well and goes out of its way to keep them happy. If that meant that this particular production somewhat sanitised some of the wilder characters and outpourings of 50s American rock and roll (not to mention enabling us to get home early enough for a good night’s sleep) then that took nothing away from a most pleasant evening.

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Photo by Andy Dawson ReidThis happy breed of men, this little world
This precious stone set in the silver sea
Which serves it in the office of a wall
Or as a moat defensive to a house
Against the envy of less happier lands

William Shakespeare – Richard II

Finding myself in want of some new t-shirts (yes – I am of the breed of unreconstructed hippie that still prefers to dress in sandals, jeans and a comfortable top well into my seventh decade!) but not caring much for the choice of overpriced designer-labelled or eyeball-scorchingly be-slogan-ed apparel on offer on the high street – I turned as ever to the InterWebNet to discover what might be available out in the wild – so to speak.

I was looking for something with a nautical flavour – such being to my taste – and by good fortune it seems that the seafaring style is very much “in” at the moment – whatever that might signify.

What it did presage – of course – was the need yet again to skirt the worst excesses of the ‘designer’ end of the rag trade – but this time online. Fortunately – however – I soon found myself delighting in the pelagic pages of one of my favourite small-scale outfitters – Quba & Co – who are based out of Salcombe in Devon. If you haven’t come across them before I do encourage you to take a moment to examine their wares – commencing mayhap with the ‘Company History‘ page on their website, which explicates their ethos rather well and should give you a good insight as to why they appeal to me.

This post does not – however – concern male fashion, though the seed for it did emanate from the pleasures that I clearly obtain from all things related to the sea. Although I have spent a certain amount of my time over the years ‘messing about in boats’ (nowhere near enough time of course!) I have never actually owned one. This will – I firmly intend – be rectified when we move to BC. To my very great pleasure the Kickass Canada Girl has indicated that she will willingly join me on a Power Squadron course once we arrive in Victoria preparatory to us taking to the waves together.

Now – I am aware that a great many of those who live on Vancouver Island are themselves boat-owners and also that these craft are predominantly used for the purposes of fishing. I never have been an angler and nor do I have much interest therein – although I did gain some valuable insight into the pursuit courtesy of the Girl’s cousin who introduced me to the practice of throwing out a couple of lines and then sitting back with a beer… not that I am suggesting for a moment that this is customary amongst British Columbian fisher-folk.

There are, of course, many reasons why – over the centuries – the Brits have been drawn to the west coast of Canada, and in particular to the islands. Much of this surely stems from the fact that both races – as island folk – share a common love for the sea and alike feel the draw of the ocean. I have doubtless quoted John Masefield before in these posts but make no apology for repeating these lines from ‘Sea Fever’:

I must go down to the seas again, to the lonely sea and the sky,
And all I ask is a tall ship and a star to steer her by;
And the wheel’s kick and the wind’s song and the white sail’s shaking,
And a grey mist on the sea’s face, and a grey dawn breaking,
 
I must go down to the seas again, for the call of the running tide
Is a wild call and a clear call that may not be denied;
And all I ask is a windy day with the white clouds flying,
And the flung spray and the blown spume, and the sea-gulls crying.
 
I must go down to the seas again, to the vagrant gypsy life,
To the gull’s way and the whale’s way where the wind’s like a whetted knife;
And all I ask is a merry yarn from a laughing fellow-rover,
And quiet sleep and a sweet dream when the long trick’s over.

 

Incidentally – the oft-quoted phrase that I appropriated for the title of this post is not without interest itself, in that its exact origins are not at all clear. My thoughts ran first to Shakespeare – and in particular to the celebrated John of Gaunt speech from Richard II that is quoted at the top of this missive. When that presumption proved erroneous I resorted once more to the InterWebNet.

Other than a (doubtless worthy and fascinating) tome documenting 135 years of the history of British bicycle racing the most numerous references I could find were to Winston Churchill. The extract from his ‘History of the English Speaking Peoples’ is actually titled ‘The Island Race’, and though Churchill is widely attibuted as having ‘frequently’ used the phrase in the form prepended by the pronoun rather than the definite article I could find no categorical reference thereto. It seems that the usage has simply evolved because it is actually too good not to have done so.

Bully for that, I say…

 

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