I remember just how startled I was when I first watched the Maysles brothers’ 1970 documentary on the Rolling Stones 1969 tour of the USA – ‘Gimme Shelter‘ – the which culminated on December 6th of that year with the hubristic free concert at the Altamont Speedway outside San Francisco. I don’t remember exactly when it was that I saw the movie for the first time, but I have watched it many times since.
Now – I never was a great fan of the Stones, though I do get a little of what the fuss is all about. I have only seen them live once – pre-millennium at the old Wembley Stadium in London. I recall being fascinated by Jagger’s ability to control an audience but otherwise being generally somewhat under-whelmed. The best thing they did that day was a cover of ‘Like a Rolling Stone‘.
I do think – however – that ‘Gimme Shelter‘ is a classic song and would be up there on my all-time best list.
I can’t deny that there is a fascination with that particular period in their – and our – history. I have read pretty much all that there is to read on Altamont – from Stanley Booth, Joel Selvin, Saul Austerlitz et al. There has for a long time now been much talk about the event being the antithesis of Woodstock – the end of the 60s – the death of the hippie dream and suchlike, but the main thing that I get from the inevitable golden-anniversary musings is that no-one is really at all clear as to the true meaning – should there be one – of this peripeteia.
I have a fascination for those turning points of history, regardless of the age from which they hail. They are frequently associated (probably understandably) with some form of a loss of innocence – though, given our long and ignominious history, how we as a species can yet manage to hang on to any shred of innocence is beyond me.
Fifty years – seems a good time to reflect on all such that has occurred.
Fifty years?! Where did that go?
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