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Celtic fusion

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Photo by Andy Dawson Reid

It seems to be a fact of our autumnal (fall) lives that a general busy-ness and an excess of external stimuli cause us to have to scramble around to fit everything in. In my case this manifests itself in my falling behind in the updating of this virtual journal.

Sooooo…

Way back near the start of October we not only celebrated the Kickass Canada Girl’s birthday (for which I should have posted at the time what I believe is known as a ‘shout-out’) but we also scurried hot-foot to the McPherson theatre in Victoria to see Scottish Celtic rock band – Skerryvore.

As is the way nowadays we had seen this gig publicised way back at the start of the summer. Not having been previously aware of them we were immediately taken with the recordings that we located on the Interwebnet and rapidly purchased their most recent release. We were further intrigued by the fact that VIP tickets were also on sale for the concert in October, the which included a pre-concert whisky tasting hosted by members of the band, at which tales would be told and songs sung. Naturally we signed up forthwith.

Photo by Andy Dawson Reid

I am – these days – greatly enjoying re-discovering my Celtic roots and culture. It has always been an important part of my personal mythology but coming to Canada – where for understandable reasons such a heritage is brought into even sharper focus for the descendants of those who emigrated long ago – it seems particularly relevant and timely.

Needless to say we greatly enjoyed the tasting and the tales and the concert itself was great fun. Skerryvore – though new to us – have been plying their trade to considerable response for some fifteen years now and they know what they are doing. They have more than one excellent songwriter on the team and they know their pipes, fiddles and whistles as well as the usual gamut of electric instrumentation. They also know how to whip up a veritable storm of Celtic fervour and they had the audience clapping and dancing just as much as the jobsworths (booo!) employed by the McPherson would allow.

Do check the band out at their website – https://skerryvore.com/. I notice therefrom that having returned to the UK from their extensive Northern American tour they are spending much of November plying their trade around the UK before heading off to Europe. Should good Celtic rock be at all be your thing check them out, go to see them and – should you get a chance to chat (they are very friendly!) – tell them you were recommended by a couple of expats in Victoria BC!

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Photo by Dave Connor on FlickrShould the rubric to this post make you start asudden – anxious lest you might all unknowingly have ingested some strange hallucinogenic compound which has set your pulse a-racing, your nerves a-jangling and which leaves you wondering if kaleidoscopically hued chameleons might start suddenly to emanate from the light fittings…

…rest easy – gentle reader – relax!

Maybe even – as the au courant slang would have it – ‘chillax’! (Though I find that particular neologism strangely vexing!).

No matter. Bear with me and I will elucidate…

In the course of my occasional series of posts on the subject of seeking out new musics – both here and in Canada – I have previously waxed lyrical on the subject of Celtic fusion. The background to this particular fascination may be revisited here. That particular post extols the talented Paul Mounsey, whose music fuses the influences of his Scottish roots with those of his Brazilian wife.

A couple of weeks ago the Kickass Canada Girl and I were to be found basking somewhat unexpectedly in the sunshine at Twickenham – where we were attending the double-headed fixture that these days launches the Premiership rugby season in the UK. The first of the two games saw London Irish pitched against the Saracens, and the pre-match atmosphere was stoked to a frenzy in part by the splendidly thunderous ‘Irish’ music that was cranked out over the stadium’s PA. At these levels, and with sufficient clarity, such music really can stir the blood and set the pulse racing – not to mention tugging teasingly at the heart-strings of any true Celt.

I wanted, naturally, to know what tune – and by what band – had been responsible for this thrilling elevation of the spirits. As ever the InterWebNet provided the answer – though not without some considerable efforts on my part. The piece concerned turned out to be an instrumental version of I’m Shipping up to Boston by the splendidly named Dropkick Murphys. Their original version sets to music lyrics by Woody Guthrie and features on the soundtrack to Scorsese’s (frankly disappointing) The Departed. The instrumental is apparently widely used as ‘run-out’ music in sporting circles – which comes as little surprise.

Now – the Dropkick Murphys turn out to be American (from Quincy, Massachusetts) rather than Irish – and that itself turns out to be something of a theme once one starts to look for modern Celtic music. The scene in Canada and North America seems to be every bit as vibrant as does that in the home nations.

Further listening suggests that the Murphys – in reality a Celtic Punk band – are a little rough around the edges for my taste, but I am grateful nonetheless that this aural experience has re-invigorated my quest to boldly seek out new musical life forms (well – new to me, anyway!).

Enter the Haggis! No – really… that’s the name adopted by the next ensemble that I encountered in the course of my musical meanderings. Sure enough, they hail from Canada! Their Celtic tinged rock incorporates a wide range of influences and styles and I particularly like some of the tracks on their last two CDs – Whitelake and The Modest Revolution. Here is a taster:

Year of the Rat: Year of the Rat – Sample

It was not, however, until I followed the trail back to Scotland – to Edinburgh, to be precise – that I found what I was really looking for. Please allow me to introduce to you – the inventors of Techno Ceilidh and of Acid Croft (which latter has been described as ‘a fiery and infectious blend of Celtic traditional music and dance grooves that band members like to call “hypno-folkadelic ambient trad!”) – the one and only – Shooglenifty!

What I like about this particular fusion – apart from the infectious rhythms and evocative melodies – is the sheer breadth of influence that the band draws upon to create their unique and adventurous music.

Look – that’s quite enough chat from me… Do your ears (and feet!) a favour and have a listen to these samples. Crank it up!

McConnell’s Rant: McConnell’s Rant – Sample
The Eccentric: The Eccentric – Sample
Walter Douglas MBE: Walter Douglas MBE – Sample

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