If you build it…

There are a very few films that – no matter how many times I have seen them – if they are on TV I will watch them again. One such is ‘Field of Dreams’. It was showing here in the UK this very afternoon on Freesat, and – yes – I watched it again.

Now – many things could be said about this film. It has been described as a ‘male weepie’ and it is certainly true that it is sentimental (whilst yet avoiding sentimentality) – which in my book is no bad thing. Certainly it makes me blubb like a baby, but I don’t mind that. In fact, to me, the opportunity and ability to blubb like a baby is of considerable import.

The film is also a fantasy that – whilst it does contain, in an almost mythical sense, much truth about our existence – could be considered slight and, perhaps, almost frivolous in the light of harsh reality. That would, in my view, diminish the mythical and thus be a mistake. I will write at greater length about the need for mythologies – of all sorts – on another occasion. Needless to say there is a good reason why films such as this touch a particularly deep nerve whilst in themselves appearing relatively shallow.

The real reason, however, that I can watch ‘Field of Dreams’ over and over again – almost purring with pleasure as I do so – is the sheer quality of Phil Alden Robinson’s screenplay, based as it is on the novel ‘Shoeless Joe’ by W.P. Kinsella. Not only is the script a splendid example of classical screenplay structure, but it is also a perfect illustration of that philosophical oxymoron – less is more! There is barely a single wasted word or spurious notion. The audience is recogised for the intelligent adults that they doubtless are and all impulses to over-explain or to patronise are resisted manfully.

Here is a tiny example:

Ray: Anyway, when I was seventeen we had a big fight, I packed my things, said something awful and left. After a while I wanted to come home, but didn’t know how. I made it back for the funeral.

Mann: What was the awful thing you said?

Ray: I said I could never respect a man whose hero was a criminal.

Mann:  Who was his hero?

Ray:  Shoeless Joe Jackson.

Mann considers this all very carefully.

Mann:  You knew he wasn’t a criminal?

Ray nods.

Mann:  Then why’d you say it?

Ray:  I was seventeen.

Put the blue crayon back in the pencilbox. Nothing to see here!